hommage to the late great Levon Helm
Friday May 11, 2012 7.30PM
echoraum, Sechshauser Strasse 66, 1150 Wien www.echoraum.at
A classy festival organized and curated by Katharina Klement & Burkhard Stangl.
The festival stretches from May 10, 11 and 12 and includes mighty fine artists such as: Tautvydas Bajarkevičius, Martin Siewert, Susanna Gartmayer, Tamara Wilhelm, Katharina Ernst, Lina Lapelyte, Elisabeth Schimana, Manon-Liu Winter, Antanas Jasenka, Raminta Šerkšnytė, Boris Hauf, Egidija Medekšaitė, Lucas Miceika, Simon Zöchbauer & Ayac Jimenez-Salvador, Gintas K., Lisbeth Kovacic & Katka Csanyiova, Caroline Profanter
We are thrilled that after a 7 year hiatus efzeg will reunite and play concerts again. (info)
1999: After a 3 month stay in Chicago, Illinois Boris Hauf was in search for a new sound for his (till then) project-based musical outlet ‘efzeg’. He invited Burkhard Stangl, Martin Siewert and dieb13 to play a concert/recording session within a series of ‘house concerts’ he was hosting in his living room in Vienna, Austria. The 4 met that afternoon for the first time ever in a musical context. They set up microphones and an 8 track recording machine and hit record: a fixed line up had crystallized out of that session and efzeg was no longer a project based ensemble. Shortly thereafter Billy Roisz joined the four musicians using their audio as input for her analog visual feedback projections. From their first album on (grain – durian 2000) efzeg was “at the cutting-edge of the European avant-garde music.” (allmusic.com).
From 1999 – 2005 efzeg released 4 full length albums, various music for video, compilations and a full length vinyl on high profile labels such as durian, charhizma, grob, hathut, en/of, staalplaat and others. Billy Roisz’ videos were an essential part of the many live shows the band played and were also represented on most CDs they released. It’s hard to find an ensemble with such a vast and consistently well received and highly praised output in such a short period of time. Even after a break up in 2005 efzeg was still productive releasing tracks on various compilations (Selsi 2008, Venusmond Part 4).
Join us for our first concert in almost 7 years and our 13 year anniversary on June 17, 2012 at Porgy & Bess, Vienna.
efzegBoris Hauf Billy Roisz dieb13 Martin Siewert Burkhard Stangl
Reedman Boris Hauf frequently pushes the envelope. For evidence, one need only look at his longstanding affiliation with the avant-garde, acoustic-electric Austrian band Efzeg, known for subliminal sound-sculpting mechanics and ethereal subtleties. However, his repertoire is quite extensive. Making frequent trips to Chicago over the years, he has aligned with like-minded individuals and noted improvisers, often residing on the same musical plane, similar visions coalescing for unpredictable outcomes. On this release, Hauf merges a three-horn attack with three drummers. Needless to state, the band’s makeup and scope of intent offer abstract permutations amid a keenly inventive platform, where hidden meanings are slowly revealed.
Boris Hauf , Keefe Jackson, Jason Stein – reeds
Frank Rosaly, Steven Hess, Michael Hartman – drums
“What can you expect from a Berlin-based saxophonist (tenor and soprano) who also has a parallel activity as an electronic musician? Well… the unexpected. And the surprise here is not only the instrumental configuration – three horn players, three drummers -, but also the musicians associated. Keefe Jackson (tenor sax, contrabass clarinet), Jason Stein (bass clarinet) and Frank Rosaly (drums) are names you can find in several Chicago avant-jazz projects, but the other choices made by Boris Hauf, also centered in the Wind City, are a puzzling indication that this sextet is not a common Chicagoan enterprise. Michael Hartman (drums, electronics) comes from the noise/electronic ensemble TV Pow, and Steven Hess works normally in brutal metal and “near silence” electro-acoustic bands like Cleared, Haptic and Locrian, going from one extreme to the other. Before even listening to the CD you’re aware of the proposed intentions: to explore all the contradictions naturally introduced by the performers, and to keep alive the inherent musical tensions. And the truth is that “Next Delusion” boils to the point of explosion. Remarkable.”
D Bayne (Piano) & Boris Hauf (Tenorsax)
Recorded April 10, 2005. Released December 2011.
[soundcloud url=”http://api.soundcloud.com/playlists/1365299″ height=”200″]
on a Berlin Echtzeitmusik Compilation.
TUB: Boris Hauf, Steve Heather, Tom Meadowcroft
Many have inquired as to Jason’s whereabouts and well-being since he canceled his tours with Will Johnson in 2009. Over the last two years Jason has been in and out of rehab facilities and hospitals in England, Chicago, Indianapolis, and New Orleans. It has been a very trying time for Jason, his friends, and his family. Although no one can be sure what the future holds, we feel very encouraged by the recent steps Jason has taken on the road towards becoming healthy and productive once again. Unfortunately, because he has no medical insurance, he has accrued substantial medical bills. We are asking all friends of Jason’s music to come together with a showing of financial support for him. Please consider a contribution to his medical fund. Feel free to forward this to any and all appropriate parties. We are hoping to raise whatever funds we possibly can for Jason. He is currently working on a farm in West Virginia raising goats and chickens for the next year or so, and is looking forward to making great music again. Please also show your support and well wishes by sending letters and postcards to:
c/o Ashley Lawson
4632 Quincy Adams
Ct. Lorain, OH 44053
If you do not wish to use paypal, please make donations out to Ashley Lawson at the same address.
With our sincere thanks, The Molina Family