BANDS

ROUND THE CREEP OF THE WAVE LINE
Keefe Jackson & Boris Hauf

THE PEELED EYE
Boris Hauf, Martin Siewert, Christian Weber, Steve Heather
release: THE PEELED EYE (Shameless, 2015)

OWL & MACK
Solo song a band born out of love for Chicago Blues, alt-country, free-folk-singer-songwriters, cryptical-obscure dark-vamp-based jazz, minimal Drone music, nocturnal birds of prey and incredibly robust and durable trucks; with a line up that varies from solo to large bands.

NEXT DELUSION
Boris Hauf – baritone + tenor + soprano saxophone
Keefe Jackson – tenor sax, contrabassclarinet
Jason Stein – bassclarinet
Frank Rosaly – drums
Steven Hess – drums, electronics
Michael Hartman – drums

POSTMARKS
Boris Hauf (Tenorsax) and D Bayne (piano)

CIUPKE AND HAUF
Christina Ciupke and Boris Hauf, Performance and Music

efzeg
Boris Hauf, Billy Roisz, Martin Siewert, Burkhard Stangl, dieb13
“at the cutting-edge of the European avant-garde music.” (allmusic.com).

TUB
Boris Hauf – Keyboards
Tom Meadowcroft – Keyboards
Steve Heather – Drums

“The Understated Brown… sounds like my cup of tea.” – Michael, London
“I usually don’t like men, but you guys are hot!” – Werner Hirsch, Berlin
“You’re basically torturing me with my dream band.” – Kurt Johnson, Chicago

PROXEMICS
Boris Hauf – Tenor- and Sopranosax
Steven Hess – Drums, Electronics
Keefe Jackson – Contrabassclarinet and Tenorsax
Juun – Piano

SEVERE MORAL PURITY (AKA SMP)
Boris Hauf – Olivier Heinry – Bruno Pocheron

“The medium is the massage.” – Marshall McLuhan
“Life did not take over the globe by combat but by networking.” – Lynn Margulis
“The Theatre of Cruelty has been created in order to restore to the theatre a passionate and convulsive conception of life, and it is in this sense of violent rigor and extreme condensation of scenic elements that the cruelty on which it is based must be understood. This cruelty, which will be bloody when necessary but not systematically so, can thus be identified with a kind of severe moral purity which is not afraid to pay life the price it must be paid.” – Antonin Artaud, The Theatre of Cruelty, in The Theory of the Modern Stage

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