more info: 13jahre.klingt.org
check out this new piece with:
3 awesome performers, a barisax player turned pseudo performer, 3 double sided panels, a cymbal (played by the barisax player turned pseudo performer), a bell (done by the same dude), a blue light, a bow and an arrow.
sounds great, right? It’s part of this year’s Tanztage at Sophiensäle, curated by the ever brilliant Peter Pleyer.
check it or miss it. (you’ll prolly miss it cuz it’s already sold out. also most of you don’t live in Berlin. Thanks for your patience though.) Either way, hope this finds you well. Happy New Year and hope to see you soon, somewhere down the road. Cheers, Boris
Monday January 7 and Tuesday January 8, 2013 @ 8:30PM
Sophien Säle, Sophienstraße 18, 10178 Berlin-Mitte
gepresste Hände erzeugen Druck
Alles ist erlaubt.
Alles ist getan.
Bring ein Buch und schlag es auf.
Der Spielplatz ist gewaltig.
Die Variationen unendlich.
Teile das Archiv.
Geschichte oder Geschichten?
Spielzeuge sind herausgesucht, Variationen dekliniert.
3 Flächen und 4 Menschen.
Der Rahmen, wo wir überlappen.
CHOREOGRAFIE Julian Weber
TANZ, PERFORMANCE Claudia Tomasi, Cinira Macedo, Boris Hauf, Julian Weber
MUSIK Boris Hauf
BÜHNENBILD Julian Weber
Gefördert durch Tanztage Berlin / SOPHIENSÆLE, Dank an alle.
oh yeah… also performing: a spot light, a skeleton, nail polish, newspaper and spray paint.
it’s a party for your eyes, ears, nose and other stuff.
“[…] On Next Delusion by Berlin-based saxophonist Boris Hauf, […] forms […] an even more unconventional lineup. There can be few instrumentations that are completely novel, but three horns matched with three drumsets recalls few precedents. Waxed on one of the German’s regular trips to Chicago, Hauf has assembled a talented crew, though their abilities are almost totally sublimated to the leader’s offbeat conceptions.
For much of the time, the three percussionists (Frank Rosaly, Steven Hess and Michael Hartman) are so restrained as to be subliminal and the horns (Keefe Jackson, alongside Stein and Hauf) aren’t much more demonstrative. It’s largely impossible to tell who does what in the four tracks, which defy categorization in their execution of Hauf’s austere and rigorous charts. Dissonant unisons and subdued drones characterize the horn lines, which often sound on a parallel but unconnected track to the rumbling massed drums. Ultimately it’s a curiosity that sounds like nothing else.”
The New York City Jazz Record
NEW YORK’s ONLY HOMEGROWN JAZZ GAZETTE
original review in croation here.
google translate below…>
Boris Hauf Chicago Sextet ‘Next Delusion’ – sound set out in the iris of the eye
Boris Hauf Sextet ‘Next Delusion’
Haufov Chicago sextet Next Delusion three wind players and three drummers, in the first series bass clarinetist Jason Stein , and saxophonists Hauf (tenor, baritone) and Keefe Jackson (tenor, bass clarinet), while in the second Frank Rosaly , Michael Hartmann and Steven Hess , respectively drummers.
Connection Chicago and Berlin is not sporadic, because at the time before it was Jeb Bishop left the electric guitar to be devoted entirely to the trombone, Art Institute of Chicago has organized a major event dedicated tuvanskoj singer Sainkho Namtchylak inhabited in Vienna, where the Chicago quartet performing guitarists Werner Daefeldeckera . And judging by the recordings are from 1991. year on YouTube, it seems that it was Boris Taba. Ahead Viennese moving to Berlin at the beginning of the millennium Hauf mapped sound EAI label Durian, Mego, Grave and Extraplatte, along with colleagues from the collectiveKlingt . Electrification of experience gained in the sound texture group Efzeg with Saks, synthesizers and computer harnessed to work with the American trio TV Pow, lap-gunner, in which in addition to a Hartmann opskurnija names.
Sextet moving aesthetic minimalist sound, even before the reductionist, in the introductory “Gregory Grant Machine” frequency point are established from the rainy strikes by cymbals and mikrovizatorskih winds that slowly heat up the intoxicating drone collective timbre spreading aura solar orgasm. In “Eighteen Ghost Roads” suggestive atmosphere is indicated akordnim voicinzima three winds, followed by the massive crowds refined drumming.
In polikromatskoj “Fame and Riches” idea is enshrined in the iris of the eye with a provocative voice, saxophone playing a double role, the soloist and the first one to vote almost chamber orchestra. And although they are invasive in “Wayward Lanes”, the listener is also not required to take care of every detail.Crawl under his skin – that! – Leaving him at a distance to the sound discretion cope.
(Clean Feed, 2012).
Type Jeraj Sundays from 22:00 to 24:00 hours editing and hosting the show ‘Hearing deception’ on Radio 808th
Hi all, Due to it’s general AWESOMENESS we decided to add on another show of JeeAe’s new piece on the 17th. Check it.
Saturday, December 15 2012, 8:30PM
Monday, December 17 2012, 7:00PM
Work in Progress (40min) – 작업이 진행 중
Concept and Performance: Jee-Ae Lim – 깜짝 – 애 임
Sound: Boris Hauf – 보리스 Hauf
The images exist in the retrospective landscape of a (the) body.
이미지 () 몸의 회고전 풍경에 존재합니다.
Image (of the body)/ Retrospective exist/ on/ the landscape.
이미지 (몸의) ) / 회고가 존재/에/ 풍경.
이미지는 풍경을 기존과 같은 신체의 역이다.
The body is used as a piece of scenery in the space,
몸은 공간에서 풍경의 한 부분으로 사용됩니다,
복고풍의 몸은 우주에서 풍경으로 진행 중입니다,
retro-/ the body/ in the universe/ is in progress,
복고풍 / 우주에서 몸 / /이 진행 중입니다,
Retro / body / / in the universe is in progress,
Thursday, December 20 2012, 9:00PM
This year’s Psychedelic Xmas Spectacular
w Tony Buck, Magda Mayas, Tom Meadowcroft, Boris Hauf, Brendan Dougherty, James Welburn, Axel Dörner
Join us for an evening of spellbinding electric organs, hypnotic percussion, crazy ass bari sax drones.
It’s gonna be far out and epic:
Wabe, Danziger Str. 101, P-Berg, Berlin
Do it! We know you want to!!
The 3 level parking garage in the center of Berlin, in which my beloved studio is located, will be blown up and torn to pieces come January 1, 2013. No kidding… I’ve been saying good bye to the place these last weeks, recording on the ramps and levels of the actual parking garage. Awesome Sauce Songs and Sounds with Loves It! from Austin, Texas and my ancient buddy Kurt Johnson on bass and most recently some Solo Organ Noise Drones…. a tube mic on the ramp, the organ amp pointing into the parking level. here’s the noise. check and if you really really like it, drop me a line. Looks like I’m gonna start a remix project with this recordings with my long time buddies and collaborators Michael Hartman and Adam Sonderberg.