translated with babelfish Sands.zine / Alfredo Rastelli "Clark" is the new disc, published in cd-r from the Sijis, London label that an interesting has catalogue of escapes limited in cd-r of electronics. Boris Hauf is also the published name more quoted end to hour being an artist already more times intercrossed between important collaborations, extended plans more (sees group EFZEG) or exited soliste. Just to its last one only, exited for the Mosz Austrian and recensito also on sands, we connect ourselves for the examination of this new album. Regarding that one, a lot centralized on a development POP of the electronics, Boris Hauf recovers some suggestions POP here, sees the rhythms of hit me with your get shark and annie, to are you puking on elvis, but it does not abandon the requests avantegarde artist who have contraddistinto also others its previous jobs: to such purpose to listen to the sonorous fog of she was to been trooper and the rumorismo of ken doll in the wind. However that that enunciates mainly in "Clark" is the side more danzereccio, strongly than ipnotici and solid pieces like the chien (remembers sure things of Brinkman), the ambient not stop flight, one of better pieces of the disc, than part in mute but that it is transformed then in a piece from the destrutturato course new wave. The end of your cunt' s tripe is instead perfectly to half road between dance rhythms and sonorous experimentation. It is a Boris Hauf without rules which comes outside from a taken total vision from last its works (the disc of the EFZEG, the solo for Mosz and this "Clark"), able to pass from the serious one to the faceto, from the experimentation to the POP and to the dance, with great facility and ability and of that not it can that to be content. Alfredo Rastelli |